There are a number of pickups marketed as unmarried coils that don't hum, including Fender's Vintage Noiseless pickups and Lace Sensor's "Holy Grail" pickups. For the maximum component, those types of pickups are surely tiny, vibrant sounding humbuckers. They are made to seem like single coils by stacking the two coils on top of each other, rather than laying them side through side. No count number what everybody tells you the simplest element that definitely seems like a single coil pickup is a single coil pickup.
I assume a better way to solve the hum difficulty is to get a opposite wound opposite polarity (rwrp) middle pickup (Fender Custom Shop Fat 50's have a rwrp middle pickup). That way, when you have a Stratocaster, as an instance, you may have single coil tone in positions 1, three and 5, but you'll have no hum in positions 2 and four. Alternatively, if you have a Les Paul, you can get humbuckers that will let you cut up the coils, so that you can convert each humbucker to a unmarried coil with the flip of a transfer (Seymour Duncan JB Model humbuckers have 4 conductor leads, so that you can use them with a coil splitting transfer). Either way, you may get the exceptional of both worlds.
Among unmarried coil pickups and humbuckers, there are numerous versions in how they're built and the way they sound. Basically, a pickup is a row of magnets wrapped in copper cord. So changes within the magnets and the wire affect the sound. Alnico V magnets are typically utilized in unmarried coil pickups, like Fender's Texas Special pickups for Stratocasters and Telecasters; they're stronger magnets and feature a sharper sound. Alnico II magnets are greater commonplace in humbuckers, like Gibson's Classic '57 pickups; they're softer magnets and that they have a smoother tone.
As for the copper twine, "overwound" pickups have a tendency to sound louder and have more midrange and bass; pickups with less windings generally tend to sound softer and brighter. One of the reasons humbuckers sound the manner they do is because it takes more cord to wrap the two coils. The thickness of the wiring and the type of insulation that is used are extra factors that affect the sound (e.G. Fender's early Strat pickups had Formvar insulation instead of tooth; insulating them that way gave them a clearer tone). Today most humbuckers are also wax potted so they might not squeal at high gain, but the wax potting hurts the readability a little too (Gibson's cutting-edge Burstbucker pickups and Seymour Duncan's Seth Lovers try and reproduce the clearer tone of early humbuckers by doing away with the wax potting).
Another thing to take into account with single coils is how the development will affect the way the pickup responds to electrical interference. You may additionally love the manner a big, fats unmarried coil like a Gibson p90 sounds, however you could also locate the greater wiring that makes the pickup sound so top makes it hum louder too. So there's a trade off if you want that sound (more cord = louder, fatter sound = greater hum).
The different primary component in figuring out the tone of an electric guitar is the strings. Electric guitar strings are fabricated from nickel and metallic. The extra nickel, the warmer the sound; the more steel, the brighter and louder the strings sound. Also, the thicker the strings the greater extent they may produce. That's why some players like to apply heavy strings; they have more tone. If you try them and find they may be too hard to play, you may constantly tune down a half step or more to compensate.
Keep in mind though the nickel is only at the wound strings. The thinner, higher pitch strings are all metal. Also, with the wound strings, it is not just the nickel content that determines the tone, it is also the shape of the windings. Roundwound strings are brighter, but flatwound strings have a great deal extra bass reaction, and so- known as "rollerwound" strings, like GHS popular "Nickel Rockers," have a tone that is someplace in among the two (i.E. They sound darker than roundwounds).
So what you could do via pairing different pickups with distinctive strings is try and get a nicer, balanced tone from the guitar. For instance, you would possibly discover that rollerwound strings go well with brighter, vintage fashion unmarried coils, like Fender Custom Shop 'fifty four's. But the identical strings could likely be way too darkish for a Gibson Les Paul equipped with 'fifty seven Classics or Burstbuckers (i.E. Roundwound strings might sound higher). On the alternative hand, in case your Gibson is some thing like an ES-a hundred seventy five with the identical conventional humbuckers, and you are seeking out a clean jazz tone, you may probably like flatwounds higher.
Here are some counseled combos of strings / pickups / amplifiers / speakers that I assume work nicely:
1. Roundwound Strings / Humbucker Pickups / Tube Amp. (6l6 tubes) / 15" JBL Speaker (easy sound)
2. Rollerwound Strings / Single Coil Pickups / Tube Amp. (6l6 tubes) / 10" Jensen Speakers (blues tone)
three. Roundwound Strings / Humbucker Pickups / Tube Amp (el34 tubes) / 12" Celestion Speakers (distorted rock and roll sound)
four. Flatwound Strings / Humbucker Pickups / Solid State Amp. / Eminence Woofer (jazz tone)
It's all about the combination and the way the additives paintings together. If you put flatwounds on a Gibson and plug in to a Polytone, you may see why so many jazzers love those amps. But in case you attempt the same amp with a Stratocaster and a fixed of roundwounds, you may marvel why anyone might ever buy a Polytone. An amp that sounds exact with one guitar may sound terrible with any other guitar. And the purpose may also have nothing to do with the amp. The pickups and strings at the guitar can also just now not be an awesome suit for the components of the amp.
Another component to recall is the wiring harness (i.E. The tone and quantity controls, and the pickup selector) in the guitar. You can switch out cheap pickups to improve the tone of your guitar, but you may not be capable of get the most out of the trade when you have a reasonably-priced, low nice wiring harness connecting the pickups to the output jack. The harness consists of two or four potentiometers, one or capacitors, a switch and the wiring connecting them all together (and any defensive in the manipulate cavity or across the wires). The high-quality additives are US-made CTS pots, Sprague caps, Switchcraft switches and jacks, and so forth. The controls lessen quantity or treble by way of introducing resistance and capacitance into the circuit. If the nice isn't always there, the tone could be negatively affected even when the controls are grew to become all of the manner up; and the pickups may additionally hum greater or less depending upon how nicely the harness is shielded. So if you are replacing your pickups to improve the sound, it generally makes feel to additionally take a look at the wiring and spot if it desires to be upgraded or additional protective wishes to be introduced.
And, remaining but now not least, any effect pedals you use between the guitar and the amplifier can even have a tendency to dominate the final tone. Some pedals are extra transparent than others, but glaringly in case you depend heavily on pedals for the tone you need, then the form of pickups and strings you use may have much less of an impact.
II. Electric Guitar Tone: Speakers
There are basically 3 styles of vintage speakers: (1) Jensen audio system, (2) JBL and Electrovoice drivers, and (3) Celestion audio system.
Jensen Speakers
Alnico Jensen speakers came popular in Fender tweed amplifiers in the 50's, along with the famous Tweed Bassman, which had four (4) Jensen P10R speakers (Jensen categorized alnico audio system with a "P" and ceramic audio system with a "C"; the "10" refers to the speaker size (10") and "R" approach the speaker is low powered, at the same time as "N" could seek advice from a better powered speaker). Ceramic Jensen audio system are sometimes related to the later Fender tolex years, but the alnico audio system had been blanketed in the ones amps too. If you've got ever heard everybody communicate of an "American" sounding speaker, it is possibly the tone of Fender (i.E. The tone of Jensen audio system in an amp powered with the aid of 6l6 or 6v6 tubes) that they may be regarding. Jensens are typically vivid sounding speakers (they've smaller voice coils and resonance frequencies around 100 Hz), and that they have a very clear tone with terrific sensitivity. As a result, they paintings in particular well with single coil pickups, like those discovered in a Fender Stratocaster.
The unique Jensen audio system had been made inside the United States, however the present day re-troubles that Fender is putting in its vintage reissue amplifiers now are made in Italy. Excellent Jensen clones are also made through Weber and Eminence. The Webers are referred to as the "Vintage Series" and the Eminence speakers consist of the 10" alnico Legend 102, in addition to the better powered "Patriot Series" speakers. To my ear, the Italian reissues sound proper at low volume, however the Webers sound higher at complete volume, and that they take care of overdrive better as properly.
JBL and Electro Voice
JBL and Electro Voice audio system are additional crucial American speakers. Unlike Jensens, JBL's and EV's are very powerful sounding (they have got massive voice coils and resonance frequencies round 50 Hz), and may manage lots of volume. The JBL's had been well known for his or her aluminum dirt covers, and a number of the early EV's came that way too (I think the reason of the aluminum changed into to assist extend the frequency reaction). The 12" JBL d120f's were famously paired with the Fender Twin Reverb for blues and jazz. The 15" JBL d130f became additionally a exceptional speaker for the Vibroverb. Electro Voice speakers are mainly famous with heavy steel players. The unique Mesa Boogie amplifiers have been acknowledged for having a unmarried EVM 12L speaker.
JBL and Electro Voice audio system were each made in the United States. The Electro Voice speakers are nonetheless to be had, however the JBL's are no longer being made. Fortunately, Eminence makes a speaker referred to as the "Commonwealth," which is an splendid copy of the JBL e120 (12") and e130 (15") audio system (those are the ceramic magnet versions of the d120 and d130 audio system). Weber additionally makes a speaker referred to as the "California," that sounds much like a JBL, and another referred to as the "Michigan," that sounds much like the Electro Voice. If you want bullet evidence reliability at high volume, you can not cross wrong with a JBL or EV speaker. They weigh a ton but they can deal with a number of energy. Also, they cope with bass sounds nicely and convey a smooth treble tone that is specially nicely applicable for guitars with humbuckers, just like the Gibson Les Paul and Es-335.
Another interesting spinoff of the JBL / EV sound is provided by the Eminence line of woofers, together with the lower powered Alpha and Beta audio system, and the excessive powered Delta (the Delta Pro 12A is marketed as similar to an EV 12L). Jazz amplifiers like Polytone and Evans (and Raezer's Edge shelves) use Eminence woofers for a smooth stable country jazz tone. The Alpha's have higher sensitivity and sound just like the antique Polytone audio system, at the same time as the Delta's have a greater modern tone with a robust bass response with a purpose to no longer disort, even at excessive extent. In my opinion, they sound in particular excellent with humbuckers and flatwound strings.
Celestion Speakers
Celestion speakers are famous for their inclusion in classic British amplifiers just like the Vox AC30 and various Marshall amplifiers, consisting of the 2x12 "Bluesbreaker." If you have ever heard every person communicate of a "British" sounding speaker, it might be the sound of a Marshall or Vox amplifier (i.E. El84 or el34 tubes and Celestion speakers) that they're referring to. In phrases of tone and construction, Celestions are in among the Jensens and the JBL / EV's. They aren't as bright because the Jensens, nor as effective as the EV's (they have got resonance frequencies around 75 Hz; and higher midrange response); and they are made with British cones and voice coils that aren't as small because the Jensens or as big as the JBL's. Not exceptionally, Celestions tend to sound well with both unmarried coils and humbuckers, mainly if you play with a whole lot of distortion.
The best alnico Celestion is the "Alnico Blue." That speaker is the 12" speaker that came inside the VOX AC30. It is typically regarded as one of the satisfactory audio system you could purchase, however it's also one of the most steeply-priced audio system you could purchase, and it could only manage 15 watts. The rest of the Celestion line, along with the 25 watt, G12M "Greenback," are ceramic magnet speakers, mostly 12" in length, and all regarded for their amazing rock tones. My favorites are the Greenbacks. If you need more power handling, the G12-65 is likewise a splendid sounding speaker. Like they say inside the advert, the sound of Celestion is the sound of rock and roll.
Although Celestions had been originally made in England, the contemporary reissues are being made in China (just like the Italian Jensens, the Chinese Celestions sound quite excellent to my ear). In addition, Weber makes a few brilliant "British Series" Celestion clones, together with the "Blue Pup," that is a copy of the Alnico Blue (except the Blue Pup is available in all special sizes, does not fee as a lot, and can manage an awful lot extra power). And Eminence has the Legend GB-12 Greenback clone, in addition to a new line of superb "Red Coat" audio system which are Celestion clones too. The "Red Fang" is a duplicate of the Alnico Blue, and the "Private Jack" is any other reproduction of the Greenback. Both the ones speakers also sound brilliant, cost less and handle greater power. And, of path, the Webers and the Eminence speakers are made in the USA.
In my opinion, the speakers are the primary issue that decide the tone of an electric guitar. The tone starts offevolved with the strings, and depends upon whether they may be nickel or metallic, roundwound or flatwound, heavy or mild. Then the tone is governed by means of the pickups, which might be single coils or humbuckers, underwound our overwound, alnico V or alnico II. If you placed a chain of consequences between the guitar and the amp, the sound of the outcomes has a tendency to dominate the tone and override the entirety else. Otherwise, the tone is then decided with the aid of the sort of amp you have (strong country or tubes, and the kind of tubes) and how you place the dials (bass, mid, treble, grasp volume, and many others). But what has the biggest affect is the audio system (the kind of cone, the magnet and the dimensions of the speaker and voice coil). The speakers are the last link within the chain; the speakers are what clearly pass the air to provide the sound you hear.
If you've got a guitar with unmarried coil pickups, you can't go wrong with Jensen fashion audio system. Single coils have an extended treble response and superb readability; and Jensen's are ideal for shooting that tone. If your guitar has humbuckers and also you want a clean, jazzy smooth tone or a speaker that has a huge bass sound for heavy steel distortion, then JBL or Electrovoice audio system will make you happy. Any of those American audio system will work nicely with American electricity tubes, like 6l6 or 6v6's. If you don't just like the sound of American audio system, either because the Jensens are too shiny or the JBL's and EV's are too bassy, then Celestion probable has a speaker you will like. Celestions have the first-class midrange response; the tone of Britain is much less "scooped" (i.E. Greater even inside the treble, bass and midrange) than American style audio system. Not exceptionally, British speakers will pair well with British tubes, like El34's or El84's.
Yet any other aspect to don't forget is mixing and matching distinct speakers in a multi-speaker amplifier. For example, if you have a Super Reverb or Bassman, which has four x 10" speakers, you may put two shiny sounding Jensens on top (like Weber 10A100's or Jensen P10r's); and then try to stability the sound with bassier sounding speakers on the bottom (like Weber10A150's or Jensen P10n's). Another popular set up is to have a Celestion G12M on one facet and a G12H on the alternative aspect of a Marshall Bluesbreaker 2 x 12 amp.
III. Electric Guitar Tone: Vacuum Tubes
Changing the vacum tubes in your guitar amplifier can alternate the tone just as a lot as changing the speakers. Many humans claim the high-quality 12ax7 preamp tubes and 6l6 energy tubes are the American made RCA tubes that were produced in the 1950's and 60's, like the fast, ribbed plate RCA 12ax7 and the black plate RCA 6l6GC, as well as the European made Mullard ECC83. Those tubes do sound splendid but they are high priced and dwindling in supply, given that they're not being made. Fortunately, there also are some of excessive quality modern-day production tubes which are to be had to improve the tone of your amplifier.
12AX7 Tubes
There are five (five) kinds of 12ax7 tubes being made nowadays, and the same tube is frequently sold under multiple special labels. If you need to understand what you're buying, the satisfactory factor you can do is become acquainted with the development of the differing types, so you can inform which is which no matter the label every is being offered underneath.
Three (3) of the 5 tube kinds have a short, fats plate structure wherein the 2 plates are so near collectively you can not see the distance in among them. The different (2) tubes are made more just like the way the RCA 12ax7's and Mullard ECC83's had been built inside the 60's. They have two thin plates which might be separated, so you can see the gap between them, and the plates have a ribbed imprint on them that seems like a ladder.
Sovtek is the primary OEM provider of preamp tubes these days. Sovtek tubes are made in Russia. As you may see above, they have got a spacer below the short, fat plates, a gap among the plates and the second higher spacer, and a "dimple" getter over the pinnacle. If you notice a tube that looks like this, it's a Sovtek, regardless of the label. Sometimes they may be marked as Sovtek 12AX7's but you also see them marked as Groove Tubes 12AX7-R's and Fender 12AX7's. You may even see them marked 12AX7 WA, WB or WC. I'm advised the WB version has a bit greater gain and the WC model is a touch quieter. Regardless, these tubes all have an edgy (vibrant) tone that is famous with Fender amp owners.
The 2nd not unusual OEM tube out there may be the Chinese Shuguang 12AX7 (Groove Tubes additionally sells this tube because the 12AX7C; Tube Amp Doctor has also bought this tube as a TAD 7025; and it has additionally been sold by Mesa Boogie). The Chinese 12ax7's are constructed with brief, fats plates, like the Sovteks, but they've an extra spacer above the tubes, a huge nickel coloured brace connecting the plates, and a "halo" getter on top. Again, in case you see a tube made similar to this, it is a Chinese tube, regardless of whether or not it has Groove Tubes or Mesa Boogie or TAD written at the glass. These tubes have a hotter tone than the Sovteks and more advantage (extent). As a end result, they work properly in high gain amps.
The 0.33 OEM tube is the European JJ ECC83 (ECC83 is the British call for a 12AX7; JJ's are made in the Slovak Republic). They are built with quick, fats plates and a halo getter, just like the Shuguangs, however they have best spacers and a metal disk above the plates this is related to the getter. You may see those bought as Groove Tubes ECC83's but the label would not depend; they're nevertheless JJ ECC83's. As for the sound, they have got a extra linear tone than the Sovteks or the Shuguangs, and a more prominent midrange. Personally, I suppose they sound first-rate with Marshall or Vox amps that run EL34 or EL84 energy tubes.
If you want an nicer, antique fashion easy tone or slightly distorted blues tone, the more recent tubes Sovtek makes for Electro-Harmonix, Svetlana and Tung Sol are better selections. Each of those tubes has thinner plates which are separated, so you can see the space among them similar to the unique RCA 12ax7's. To my ear, the Electro-Harmonix 12AX7 is the best sounding cheap 12ax7 obtainable (the Svetlana 12AX7 looks like the same tube, but I've by no means attempted one). If you do not thoughts spending a touch more, I suppose the Tung Sol 12AX7 "reissue" is even better (in contrast to the Electro-Harmonix model, the Tung Sol has a "halo" getter, much like the RCA). If you need premium tube with a real exceptional American tone, I'd propose the Tung Sol 12AX7.
The second alternative for a extra vintage sounding preamp tubes is the long plate tubes Sovtek makes beneath its own name as the 12AX7LP (the "lp" stands for "long plate"), and the tube Sovtek sells as the Mullard 12AX7 "reissue." The tubes look equal, except for the call, but the nice of the Mullards is a whole lot higher, I assume.
In addition to Sovtek, Groove Tubes additionally sells a US-made 12AX7M, and it looks as if TAD is now promoting this tube as their new TAD 7025. Also JJ has a brand new long plate tube known as the JJ ECC803.
All of these tubes have long, skinny plates which can be separated, so you can see the distance among them just like the authentic Mullard ECC83's. To my ear, those vintage style tubes generally tend to have a reasonably flat eq, which I partner with a more European sound, as antagonistic the Tung Sol's, which intensify the highs and lows greater and have extra of an American tone.
The problem with those long plate tubes is that they tend not to do well in high gain amps and blend amps, if they're not very well made. The only one I actually have determined to be dependable in a guitar amp is the Mullard 12ax7 reissue. It prices a little more, however in case you want a top rate tube that has extra of a European tone, it truly is the only I'd recommend.
Another element to don't forget is the area within the amplifier of the preamp tube you're changing. The preamp tube that is placed the furthest far from the strength tubes will commonly have the finest impact at the tone of the amp; and the preamp tubes which can be toward the energy tubes may have the least effect at the tone. So you could placed a premium Tung Sol or Mullard in V1, but then a less steeply-priced JJ or a Chinese tube would possibly make more feel in V2. Even in case you find a lengthy plate too noisy for any of those positions, an extended plate tube may nonetheless make a great section inverter tube for the V3 role (or whichever role is closest to the power tubes).
6l6 Tubes
6l6 electricity tubes now not best have extraordinary size plates, additionally they are available in exclusive length bottles. There are basically three (3) types. The small bottle "stubbies" modeled after the authentic Tung Sol 5881, the tall bottles based on the original Sylvania 6l6GC STR, and the clear tops which have the aspect getter construction of the famous black plate RCA 6l6GC.
The most common OEM 6l6 is the Sovtek 5881WXT, which is kind of an anomaly. The Sovtek is a brief plate tube in a tall bottle. It's referred to as a 5881 however it is definitely a 6l6. It can cope with high voltages like the different 6l6's however it has the decrease output of a 5881. And you will see it branded both ways. Sovtek calls it the 5881WXT but Groove Tubes sells it as a 6l6GC, Fender calls it a 6l6GC, and a Mesa Boogie sells it as a 6l6GC STR. Regardless of the call, the Sovtek is a completely dependable, cheaper tube, however it does not have the first-class tone.
The most effective true small bottle 5881 presently in production is the Tung Sol 5881 reissue that is also made through Sovtek. Like the Sovtek 5881WXT, the Tung Sol has decrease output than maximum 6l6's. But in relation to tone, there's no comparison. The tone of the Tung Sol is head and shoulders above the 5881WXT. The trouble is, unlike the Sovtek, the Tung Sol seemingly cannot manage the high voltage of most current tube amps. As a end result, the majority seeking to upgrade the same old Sovtek 5881WXT will do better with a 6l6 tall bottle or one of the new clear tops.
In addition to the Tung Sol, Sovtek also has a premium tall bottle 6l6 called the Sovtek 5881WXT+ (not the 5881WXT, the 588WXT"+", which is a very exceptional animal) and the Electro-Harmonix 6l6EH (near as I can inform, the WXT+ and the 6l6EH are the identical). Both the 5881WXT+ and the 6l6EH have longer plates, greater quantity and a miles nicer tone - with greater harmonic complexity - than the Sovtek 5881WXT.
The highest rated 6l6 tall bottle might be the SED 6l6. SED a/k/a "Winged C" is the organization that was formerly called "Svetlana." The SED is a exceptional tube with a brighter, extra designated tone, however it has a huge disadvantage, and this is that it normally expenses about two times as plenty as all of those other tubes.
The "Svetlana" logo call is now owned through Sovtek. In fact, Sovtek makes a duplicate of the SED "Winged C" 6l6 which is offered as the Svetlana 6l6. The SED and the Sovtek Svetlana are not the equal tube (the getters are exceptional), and that they don't have precisely the equal tone (the Svetlana isn't always quite as shiny). But the 2 tubes are very similar, and the Svetlana charges almost half as a lot.
In addition to the SED and the Sovteks, there are different 6l6's which have a bit exclusive tone however also are a huge improvement over the standard 5881WXT. JJ makes a tall bottle JJ 6l6 that has a unique plate shape and a powerful easy sound. Like the SED, the JJ has been around a long time and has loved good sized recognition. More lately, Tube Amp Doctor started out selling a Chinese TAD 6l6GC STR that has grow to be very popular. I suppose the TAD sounds extra like the JJ than the SED or the Sovteks.
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You truely can not cross wrong with any of those tall bottles. If you like large and beefy, strive the JJ or the TAD. If you want a brighter tone with more element, go for the SED or the Svetlana. If you will instead have some thing with a touch flatter eq and smoother sound, I'd endorse the Electro-Harmonix 6l6EH or the Sovtek 5881WXT+. I particularly like easy overdrive tone of the 6l6EH and 5881WXT+ in a master quantity amp.
But if what you want is the closest aspect to the authentic RCA 6l6 clear pinnacle, there are some of different 6l6 tubes you may also want to offer a pay attention to. Groove Tubes makes a clear top GT 6l6GE, Sovtek has a clear top Tung Sol 6l6GC STR and Tube Amp Doctor additionally sells a clear top Chinese made TAD 6l6WGC STR. These are long plate, excessive output tubes, however they arrive in medium length bottles; and that they have the clear pinnacle, side getter creation of the original RCA and GE 6l6's. The TAD and Tung Sol versions have the "black plates" the RCA tubes had; and the Groove Tubes model is mostly American made. But the tube with the high-quality tone is in reality the TAD 6l6WGC STR. The TAD is a pleasant, warm tube with a sweet, silky excessive give up. To me, it is an appropriate choice for a antique series Fender amp, just like the Super Reverb.
Keep in thoughts the market for vacum tubes is constantly changing. It used to be that the JJ ECC83's and SED "Winged C" 6l6's were the satisfactory tubes to be had. But then Sovtek changed into bought out by using New Sensor and commenced running with Electro Harmonix to increase new tube designs. Chinese tubes had been notoriously cheap, but then Tube Amp Doctor and Groove Tubes started out working with them to increase some top first-class glass.
It also used to be which you needed to get tubes from a reseller who tested them very well due to the fact they had been notoriously unreliable from the manufacturing unit. But now Sovtek, as an example, seems to be checking out their own tubes greater and promoting the coolest ones below emblem names like "Tung Sol" or "Mullard." The other element the tube producers are doing now's selling "gold pin" versions in their tubes (frequently for two times the fee of the normal versions). I think it's worth it to shop for the logo name variations, specifically if you are buying direct from the producer, however I do not suppose the gold pins are really worth twice the price.
Lace Sensor Holy Grail 3-Pack pickups set checksound >> youtu.be/_1hA7SbzwHo
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